Carrie-Anne Moss at her private residence in Los Angeles
Using the camera as a tool for transformation - yours and my own.
At 18, newly sober from meth addiction, I picked up a camera and turned my pain into visual poetry. It saved my life.
Three decades later, my work is rooted in creative expression, Toltec wisdom, somatic practice, and a lifetime of seeing what isn’t said - what lives beyond appearances. When I look through the lens, I’m not looking for an image. I’m listening for truth. I’m witnessing Source looking back at me.
I don’t photograph people to make them look good. (although that happens) I photograph them to help them remember who they are.
This isn’t performance or posing.
It’s ceremony.
Women leave my photo sessions with more than photographs.
They leave loving and trusting themselves—No Matter F*ing What. (NMFW)
That devotion to truth moves through everything I create.
My fine art is where I explore what lingers beneath the surface of love, longing, desire, hope and the quiet ache for belonging we rarely name.
And my courses are an extension of that same practice: using the camera as a portal back to your own inner knowing.
Three portals to awakening.
Chasing Fog :: Learning how to Breathe
This series of images is a study of the unseen and unsaid within love, longing and what lives in-between them. Both personal and universal, the work uses a vintage Polaroid SX-70 to give dreamlike form to what exists just beneath the surface.
Self-portraiture is the primary language of the series, an act of listening with my entire being. Some images remain out of focus, like memories that fade; others are hand-stitched, marking a passage from fracture to repair or an eruption of emotion.
Milan, 2025
Paris 2025
NYC 2025
Photo London 2025
Art Talk Magazine :: Featured 8 Page Interview :: Zurich, 2025
"The Ache" :: Honorable Mention :: ATLAS :: Los Angeles Center of Photography :: Juror, Paris Chong, Director Leica Gallery LA, 2026
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